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Coldplay at the Barclays Arena in 2017. British rock band Coldplay have written or co-written every song in their discography, with the exception of several covers. They were formed in London by Chris Martin (vocals, piano), Jonny Buckland (lead guitar), Guy Berryman (bass guitar), Will Champion (drums, percussion) and Phil Harvey (management). [1]
In an interview, Coldplay vocalist Chris Martin revealed that the song was written in mid-2004 and was inspired by Martin's daughter, Apple, and English alternative rock singer Kate Bush: "That's a song where we were listening to a lot of Kate Bush last summer, and we wanted a song which had a lot of tom-toms in it.
Coldplay performed a medley of "Lost+" and "Viva la Vida" at the ceremony. American rapper Jay-Z , who was the guest vocalist on "Lost+", performed "Lost+" with Coldplay onstage. The performance was recorded and released on 8 February 2009.
"A Sky Full of Stars" is a song by the British rock band Coldplay. It was released in May 2014 as the second single from their sixth album, Ghost Stories (2014). An exclusive digital EP version of it, with the B-sides "All Your Friends", "Ghost Story" and "O (Reprise)", came out in the following weeks, being considered the band's eleventh extended play.
"Hurts Like Heaven" is a song by British rock band Coldplay from their fifth studio album, Mylo Xyloto. It was written by all members of the band along with producer Brian Eno, being released as the final single from the record on 8 October 2012. The track promoted the comics which tied into the original story from Mylo Xyloto. [4]
"Everglow" is a song by British rock band Coldplay. It is the fourth track from their seventh studio album, A Head Full of Dreams. [1] It features uncredited vocals by Gwyneth Paltrow, who at the time was married to Chris Martin despite their separation being announced in 2014. [2]
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"Sparks" has been ranked among Coldplay's best works by Billboard, [5] and Consequence. [4] The former also included the song on their "40 Best Deep Cuts of 2000" list, pointing out that it contains "many of the touchstones that would become synonymous with the British rock band in the ensuing decades", from the hopeless romanticism of the lyrics to the use of interjections. [6]