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Israel Houghton (/ ˈ h oʊ t ən /; born May 19, 1971) is an American contemporary Christian music singer, songwriter, producer, and worship leader. His worship team is credited as Israel & New Breed .
A Deeper Level is a live worship album by Israel & New Breed. It was released in 2007 by Integrity Media. It is Houghton's seventh album, his sixth with Integrity, and his fourth live album serving as the follow-up to Alive in South Africa. The album was awarded a Grammy in 2008 as the Best Pop/Contemporary Gospel Album.
In the 2015, Planetshakers released the song Nothing Is Impossible in a pop-style, songwriter Joth Hunt added some more lyrics to the song, featured on the album Outback Worship Sessions. [ 5 ] [ 6 ] In the 2016, Planetshakers released Nothing Is Impossible in an electronic style, featured on the album Momentum (Live in Manila) .
[10] Saraco called the album "A bumper-crop of live 'Praise and Worship' music – Israel Houghton style – awaits you in Jesus at The Center, the new double-disc live recording by Israel & New Breed. Fans of New Breed will delight in every moment of the dynamic and energetic performance, although others might find much of it to be generic.
Israel Houghton: Again I Say Rejoice Praise & Worship Israel Houghton: All Around Praise & Worship Israel Houghton: Come In From The Outside Praise & Worship Israel Houghton: Not Forgotten Praise & Worship Israel Houghton: Trading My Sorrows Praise & Worship Israel Houghton: We Win Top Hits Israel Houghton: You Are Good Praise & Worship James ...
Covered: Alive in Asia is a live album by Israel & New Breed. RCA Inspiration released the album on July 24, 2015. Israel & New Breed worked with Chris Baker, Kevin Camp, and Aaron Lindsey, in the production of this album.
Israel's entry, "October Rain", is a ballad sung by female soloist Eden Golan. ... Eurovision Song Contest organisers are scrutinising the Israeli submission after lyrics leaked to the media ...
Israel Houghton's The Power of One, however, doesn't seem to want to fit into either category, leaving listeners with a mixed result." [ 5 ] In concluding, Gelwicks wrote that "Israel Houghton had a good thing going, but the entire album could have been improved if he majored on the uniqueness factor and made it a constant theme.