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  2. Music and emotion - Wikipedia

    en.wikipedia.org/wiki/Music_and_emotion

    Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...

  3. Psychology of music - Wikipedia

    en.wikipedia.org/wiki/Psychology_of_music

    Music has been shown to consistently elicit emotional responses in its listeners, and this relationship between human affect and music has been studied in depth. [4] This includes isolating which specific features of a musical work or performance convey or elicit certain reactions, the nature of the reactions themselves, and how characteristics ...

  4. Psychology of music preference - Wikipedia

    en.wikipedia.org/wiki/Psychology_of_music_preference

    Active mood is another factor that affects music preference. Generally whether people are in a good or bad mood when they hear music affects how they feel about the type of music and also their emotional response. [20] On that line of thinking, aggression has been shown to improve creativity and emotional intensity derived from music.

  5. Why Taylor Swift's Music Makes Us So Emotional - AOL

    www.aol.com/why-taylor-swifts-music-makes...

    When music evokes an emotion—maybe anger if you’ve just listened to Bad Blood, or longing if you have Dress on repeat—you’ll likely experience stronger memories, Halladay says. “Strong ...

  6. Urdu ghazal - Wikipedia

    en.wikipedia.org/wiki/Urdu_Ghazal

    The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]

  7. Khyal - Wikipedia

    en.wikipedia.org/wiki/Khyal

    Rāga is a melodic framework for improvisation based on the idea that certain characteristic patterns of notes (svara) evoke a heightened state of emotion.These patterns of notes are a fusion of scalar and melodic elements, and each raga can be described in terms of its ascending lines (āroha) and descending lines (avaroha), as well in terms of its characteristic melodic figures in which ...

  8. Leonard B. Meyer - Wikipedia

    en.wikipedia.org/wiki/Leonard_B._Meyer

    Dewey extended this to explain that if the response was stopped by an unexpected event, then an emotional response would occur over the event's "meaning". Meyer used this basis to form a theory about music, combining musical expectations in a specific cultural context with emotion and meaning elicited. [1]

  9. Limbic resonance - Wikipedia

    en.wikipedia.org/wiki/Limbic_resonance

    Limbic resonance is the idea that the capacity for sharing deep emotional states arises from the limbic system of the brain. [1] These states include the dopamine circuit-promoted feelings of empathic harmony, and the norepinephrine circuit-originated emotional states of fear, anxiety and anger.