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The Beatles released seven consecutive Christmas records on flexi disc for members of their UK and US fan clubs, from 1963 to 1969, ranging in length between 3:58 and 7:48. These short collections had a mix of spoken and musical messages for their official fan clubs.
The first two Beatles albums, Please Please Me and With The Beatles, were recorded on the BTR two-track machines; [3] with the introduction of four-track machines in 1963 (the first 4-track Beatles recording was "I Want to Hold Your Hand" [4]) there came a change in the way recordings were made—tracks could be built up layer by layer ...
By the mid-1960s, the Beatles became interested in tape loops and found sounds. [36] [37] Early examples of the group sampling existing recordings include loops on "Revolution 9" [37] (the repetitive "number nine" is from a Royal Academy of Music examination tape, some chatter is from a conversation between George Martin and Apple office manager Alistair Taylor, and a chord from a recording of ...
This is the discography of Apple Records, a record label formed by the Beatles in 1968. During its early years, the label enjoyed a fair degree of commercial success, most notably with Mary Hopkin and Badfinger, as well as discovering acts such as James Taylor and Billy Preston who would go on to greater success with other labels.
Outline of the Beatles; The Beatles timeline; Apple Records discography, the albums and singles of the Beatles' record label, many of which had involvement by members of the Beatles; The Beatles bootleg recordings; The Beatles' recording sessions
Apple Records is a British record label founded by the Beatles in 1968 as a division of Apple Corps Ltd. It was initially intended as a creative outlet for the Beatles, both as a group and individually, plus a selection of other artists including Mary Hopkin , James Taylor , Badfinger , and Billy Preston .
The Beatles did not pass the audition, but their manager, Brian Epstein, kept the reel-to-reel tapes to present to other record producers. Epstein arranged for the recordings to be pressed onto monoacetate discs, one of which was later heard by Parlophone producer George Martin , who offered them an audition which would turn out to be successful.
Trident Studios was a British recording facility, located at 17 St Anne's Court in London's Soho district between 1968 and 1981. It was constructed in 1967 by Norman Sheffield, drummer of the 1960s group the Hunters, and his brother Barry. "My Name is Jack" by Manfred Mann was recorded at Trident in March 1968, and helped launch the studio's ...