Search results
Results From The WOW.Com Content Network
Maniera greca had a different meaning from the 17th century, when it described a trend in Baroque sculpture especially associated with Francois Duquesnoy, a Flemish sculptor working in Rome and his pupils such as Rombaut Pauwels. Duquesnoy's Saint Susanna (1633) in Santa Maria di Loreto, Rome is an example.
Subsequent mannerists stressed intellectual conceits and artistic virtuosity, features that have led later critics to accuse them of working in an unnatural and affected "manner" (maniera). Maniera artists looked to their older contemporary Michelangelo as their principal model; theirs was an art imitating art, rather than an art imitating nature.
The work is egg tempera on wood with dimensions of 83.5 cm x 59 cm. [5] It was created in the late 15th century and depicts the Crucifixion of Jesus Christ.It shows influences of Late Gothic realism but follows the lines of the traditional maniera greca.
He painted in the traditional Greek-Italian Byzantine style combined with Italian Renaissance Venetian painting. The technique later became known as the maniera greca. Sixty of his works survived. [1] Symbols and abbreviations have been a fundamental part of the Christian religion.
Maniera Greca was one of the first post-classical European terms for style in art. [30] The technique was used from 1400 to 1830s in both the Cretan School and the Heptanese School. Michael Damaskinos began to mix Venetian painting and the traditional Greek Italian Byzantine painting style. The technique became an important component of the ...
The painting is a mixture of Italian and Greek Byzantine prototypes; it follows the traditional maniera greca and was influenced by Venetian painting. Christ Bearing the Cross is in the Metropolitan Museum of Art in New York. [1] [2] [3]
Contemporary documents refer to two styles in painting: the maniera greca (alla greca, in line with the Byzantine idiom) and the maniera Latina (alla Latina, in accordance with Western techniques), which artists knew and utilized according to the circumstances; as a result some kind of "eclecticism" appeared. [13]
Thomas Bathas (Greek: Θωμάς Μπαθάς, 1554 – 1599; also known as Tomios or Tomio, Batta Tornio) was a Greek painter, educator, and Vikar.He employed the maniera greca in some of his work but he also broke from tradition by employing the Venetian style.