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A long gown with a train has fur at the cuffs and neckline and is worn with a wide belt, c. 1460. An attendant in the same illustration wears a red hood with a long liripipe. Her blue dress is "kirtled" or shortened by poufing it over a belt, c. 1460. Woman wears a simple headdress of draped linen and a red houppelande trimmed with white fur ...
The Spanish verdugado, from which "farthingale" derives, was a hoop skirt originally stiffened with esparto grass; later designs in the temperate climate zone were stiffened with osiers (willow withies), rope, or (from about 1580) whalebone.
The high-waisted gown of the late medieval period evolved in several directions in different parts of Europe. In the German states and Bohemia, gowns remained short-waisted, tight-laced but without corsets or stays. The open-fronted gown laced over the kirtle or a stomacher or plackard. Sleeves were puffed and slashed, or elaborately cuffed.
Mary's skirts are shaped by a French farthingale in the Blairs Museum portrait. Masques were the heart of festivities at royal courts. [17] Mary wore farthingales, and danced in masques (with the French governess Françoise d'Humières) in costumes made with lightweight silver and gold fabrics decorated with silver and gold metallic spangles. [18]
A houppelande or houpelande is an outer garment, with a long, full body and flaring sleeves, that was worn by both men and women in Europe in the late Middle Ages. Sometimes the houppelande was lined with fur. The garment was later worn by professional classes, and has remained in Western civilization as the familiar academic and legal robes of ...
Chaperon is a diminutive of chape, which derives, like the English cap, cape and cope, from the Late Latin cappa, which already could mean cap, cape or hood ().. The tail of the hood, often quite long, was called the tippit [2] or liripipe in English, and liripipe or cornette in French.