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7 1 3 5 7 36 8 12 3 We Can't Dance "I Can't Dance" 7 7 2 3 4 7 1 10 8 7 2 "Hold on My Heart" 1992 16 63 — 1 45 20 13 — — 12 — "Jesus He Knows Me" 20 56 26 10 13 22 18 35 — 23 24 "Never a Time" — — — 9 56 — — — — 21 — "Tell Me Why" 40 110 — — 51 — 37 — — — — "Invisible Touch" (live) 7 — — — — 22 ...
Sound mix list on the Internet Movie Database; Index of early sound films of the silent era, from The Progressive Silent Film List by Carl Bennett; The origins of the Firm "Tobis-Klang" The first release that used this system was the partially silent German film Melodie der Welt
The fifth pair of discs includes B-side songs, 3 rare songs from BBC Sessions in 1970 and the never-before-released Genesis Plays Jackson soundtrack. Each bonus DVD features audio versions of the albums in 5.1 surround sound , as well as videos from each album's corresponding tour, new interviews, and photo galleries.
In 1964, Kellaway was a piano sideman for composer/arranger Boris Midney's group The Russian Jazz Quartet's album Happiness on ABC/Impulse jazz records. Kellaway composed the closing theme, "Remembering You" for the television sitcom All in the Family , which was also used as the closing theme for the spinoff Archie Bunker's Place .
This well-recorded two-fer features Haden's Quartet West at its best". [3] All About Jazz observed "The Private Collection finds Haden and Quartet West at its true best, with material spanning four decades but still sounding, twenty years later, as if it had been written yesterday".
Further Out Than the Edge is the debut studio album by South London jazz band Speakers Corner Quartet, released on June 2, 2023, by OTIH Records. [5] [3] [6] The album features guest appearances from Coby Sey, Kelsey Lu, Tirzah, Confucius MC, Joe Armon-Jones, Léa Sen, Kae Tempest, Sampha, Leilah, James Massiah, Tawiah, Lafawndah, Trustfall, Shabaka Hutchings, and Mica Levi.
The Modern Jazz Quartet later made a full album based on this theme, The Comedy (1962). [2] The title track was released on a 45-rpm 7-inch EP with the track being split across the two sides. The mono version of the album has a good recorded sound quality as one would expect from an important 1956 jazz release.