Search results
Results From The WOW.Com Content Network
The Mr. Davidson in the song may have referred to Harold Davidson, who was a famous booking agent in London at the time the song was written. [2] Although the song is a fake commercial, a real deodorant product named Odorono once existed. [1] [8] [9] The Who recorded "Odorono" on 11 October 1967 at IBC Studios.
And fear not them which kill the body, but are not able to kill the soul: but rather fear him which is able to destroy both soul and body in hell. The New International Version translates the passage as: Do not be afraid of those who kill the body but cannot kill the soul. Rather, be afraid of the one who can destroy both soul and body in hell.
Body odor can be a major source of anxiety. Health experts are here to help. Sweat and body odor are typically thought to go hand in hand, but experts say it's a little more complicated than that.
The variants of taijin kyōfushō (shubo-kyofu "the phobia of a deformed body" and jikoshu-kyofu "fear of foul body odor") are listed under 300.3 (F42) "other specified obsessive compulsive and related disorders", [12] and is about someone's fear that his or her body, or its functions, is offensive to other people. [4]
Jonathan Broxton in his review for Movie Music UK called it as "one of the most enjoyable, unpretentiously entertaining horror scores Beltrami has written in quite some time, a superb combination of thematic strength and full-blooded orchestral butchery that truly engrosses from start to finish."
Due to commitments with Fear Factory, Bell was not the vocalist for G/Z/R's second album, Black Science. Bell, alongside fellow bandmate, Dino Cazares, appeared on the Soulfly song "Eye for an Eye" in 1998. Bell featured as guest vocalist on the Apartment 26 song "Void", a bonus track from their debut album Hallucinating in 2000.
Marco Beltrami, who previously scored the predecessor, joined with Brandon Roberts to compose music for Part Two: 1978. [1] The score for the film is mostly influenced from 1970s horror films, and its main inspiration is from the compositions of Jerry Goldsmith, whom Beltrami was tutored under during his period at the USC Thornton School of Music in Los Angeles.
The lyrics can seem autobiographical and deal with apocalyptic themes, the triumph of the body over the mind, barbarism and wartime poetry, the spreading of sexually transmitted diseases, and mental disorder and feature a deliberately poor production quality, and the music was much more chaotic, morose and dissonant so as to, as Famine ...