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The output from a DJ mixer is typically plugged into a sound reinforcement system or a PA system at a dance, rave, nightclub or similar venue or event. The sound reinforcement system consists of power amplifiers which amplify the signal to the level that can drive speaker enclosures, which since the 1980s typically include both full-range speakers and subwoofers for the deep bass sounds.
In the mid-1960s, nightclubs and discothèques continued to grow in Europe and the United States. Specialized DJ equipment, such as Rudy Bozak's classic CMA-10-2DL mixer, began to appear on the market. In 1969, American club DJ Francis Grasso popularized beatmatching at New York's Sanctuary nightclub. At the same time 1970 David Mancuso opened ...
Two turntables and a microphone" is the basic concept of a DJ's equipment. This phrase describes turntables (phonographs) and a microphone connected to a mixer. The DJ uses the mixer's crossfader to fade between two songs playing on the turntables. Fading often includes beatmatching.
Dave Davies of The Kinks (he briefly used a 6-string as well as a 12-string model in 1964) Peter Jay and the Jaywalkers; The Echoes (English group) The Echoes trailed most of the Vox equipment from 1962. Members of Paul Revere & the Raiders - used a Phantom IV bass and a Phantom VI in concert; Members of The Electric Prunes
Mojo used to play a lot of funk just to be different from all the other stations that had gone over to disco. When 'Knee Deep' came out, that just put the last nail in the coffin of disco music. [17] Despite the short-lived disco boom in Detroit, it had the effect of inspiring many individuals to take up mixing, Juan Atkins among them.
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