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Daayan is sometimes used interchangeably with the term churel (Hindi: चुड़ैल cuṛail), although conceptual and cultural differences exist between them. A churel is a vengeful ghost that arise from the death of a woman during pregnancy or childbirth, with preternatural powers similar to a witch.
Male counterpart used to wear 'Duti borok' for the loin and 'Kamchwlwi borok' for the upper part of the body. But in the modern age very few people are wearing these dress except in the rural Tripura and working class. The male have adopted the modern dress of international style gaffa.This is somewhat similar to kurta and dhoti.
The melmundu is an upper garment similar to the nēriyatu or tunḍŭ. that is worn by women; 'mundu' and 'melmundu' are part of the traditional Malayali costume worn by men. Despite the considerable influence of western dressing forms in South Indian culture, Hindu traditional ceremonies of Kerala (some Hindu castes in other south Indian ...
Hindu woman in Kullu, Himachal Pradesh wearing a bindi. A bindi (from Sanskrit bindú meaning "point, drop, dot or small particle") [1] [2] is a coloured dot or, in modern times, a sticker worn on the centre of the forehead, originally by Hindus, Jains and Buddhists from the Indian subcontinent.
A Hindu woman with a ghoonghat veil. A ghoonghat (ghunghat, ghunghta, ghomta, orhni, odani, laaj, chunari, jhund, kundh) is a headcovering or headscarf, worn primarily in the Indian subcontinent, by some married Hindu, Jain, and Sikh women to cover their heads, and often their faces.
Kumkuma is a powder used for social and religious markings in India. It is made from turmeric or any other local materials. The turmeric is dried and powdered with a bit of slaked lime, which turns the rich yellow powder into a red color.
There are fifteen pachivedes (chapters) and 800 verses in Ratirahasya which deal with various topics such as different physiques, lunar calendar, different types of genitals, characteristics of women of various ages, hugs, kisses, sexual intercourse and sex positions, sex with a strange woman, etc. [1] [2] Kokkoka describes various stages of love in Ratirahasya, the fifth stage being weight ...
In both images, the trunk is turned to the right. [8] Damaged four-armed or two-armed Vinayaki images are also found in Ranipur Jharial , Gujarat and Rajasthan. [8] In another image from Satna, Vinayaki is one among five theriocephalic goddesses. The central figure, the cow-headed yogini, Vrishabha, holds the baby Ganesha in her arms. [3]