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Pitch correction is an electronic effects unit or audio software that changes the intonation (highness or lowness in pitch) of an audio signal so that all pitches will be notes from the equally tempered system (i.e., like the pitches on a piano).
Digital room correction may involve minimum phase algorithms, to maintain wavefront coherence over the intended frequency range.. The use of analog filters, such as equalizers, to normalize the frequency response of a playback system has a long history; however, analog filters are very limited in their ability to correct the distortion found in many rooms.
An idealized and extreme smiley face curve shown using a 29-band graphic equalizer. A smiley face curve or mid scoop [1] in audio signal processing is a target frequency response curve characterized by boosted low and high frequencies coupled with reduced midrange frequency power.
Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. [1] [2] Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric ...
One technique to make this easier to control is called back button focus: separating focus from the shutter control button by reassigning the AF-on function to a button on the back of the camera body. [8] Some models of a camera may have a dedicated AF-ON button, and menu options to disable the focus via shutter button half-press.
An adaptive equalizer is an equalizer that automatically adapts to time-varying properties of the communication channel. [1] It is frequently used with coherent modulations such as phase-shift keying, mitigating the effects of multipath propagation and Doppler spreading. Adaptive equalizers are a subclass of adaptive filters.
RIAA equalization is a form of pre-emphasis on recording and de-emphasis on playback. A recording is made with the low frequencies reduced and the high frequencies boosted, and on playback, the opposite occurs.
The new video camera tube developed by Lubszynski, Rodda and McGee in 1934 was dubbed "the super-Emitron". This tube is a combination of the image dissector and the Emitron. It has an efficient photocathode that transforms the scene light into an electron image; the latter is then accelerated towards a target specially prepared for the emission ...