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Pitch correction is an electronic effects unit or audio software that changes the intonation (highness or lowness in pitch) of an audio signal so that all pitches will be notes from the equally tempered system (i.e., like the pitches on a piano).
Digital room correction may involve minimum phase algorithms, to maintain wavefront coherence over the intended frequency range.. The use of analog filters, such as equalizers, to normalize the frequency response of a playback system has a long history; however, analog filters are very limited in their ability to correct the distortion found in many rooms.
Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. [1] [2] Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric ...
RIAA equalization is a form of pre-emphasis on recording and de-emphasis on playback. A recording is made with the low frequencies reduced and the high frequencies boosted, and on playback, the opposite occurs.
An adaptive equalizer is an equalizer that automatically adapts to time-varying properties of the communication channel. [1] It is frequently used with coherent modulations such as phase-shift keying, mitigating the effects of multipath propagation and Doppler spreading. Adaptive equalizers are a subclass of adaptive filters.
For example, if applied to 8-bit image displayed with 8-bit gray-scale palette it will further reduce color depth (number of unique shades of gray) of the image. Histogram equalization will work the best when applied to images with much higher color depth than palette size, like continuous data or 16-bit gray-scale images.
The zero-forcing equalizer applies the inverse of the channel frequency response to the received signal, to restore the signal after the channel. [1] It has many useful applications. For example, it is studied heavily for IEEE 802.11n (MIMO) where knowing the channel allows recovery of the two or more streams which will be received on top of ...
The controls enable the operator to adjust the amount of signal that will be sent from its corresponding channel into the signal bus routed to its corresponding aux-send output. The largest, most expensive mixers have a number of aux-send knobs on every channel, thus giving the audio engineer the flexibility to create many live sound and/or ...