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"The History of Star Wars Posters". Film School Rejects. Archived from the original on 19 June 2017; Titelman, Carol; Hoffman, Valerie, eds. (1979). The Art of Star Wars (1st ed.). New York: Ballantine Books. ISBN 0345282736
John Berkey (August 13, 1932 – April 29, 2008) was an American artist known for his space and science fiction themed works. Some of Berkey's best-known work includes much of the original poster art for the Star Wars trilogy, the poster for the 1976 remake of King Kong and also the "Old Elvis Stamp".
The Art of Star Wars is a series of books by various editors featuring concept art from the Star Wars motion picture saga. The books mainly feature artwork accompanied by a short explanation of the scene and the artist's ideas, but also script notes, posters and other information.
Glittering Images: A Journey Through Art from Egypt to Star Wars is a 2012 book by American cultural critic Camille Paglia, in which the author discusses notable works of applied and visual art from ancient to modern times. Paglia wrote that she intended it to be a personalized "journey" through art history, focusing on Western works.
J. R. R. Tolkien's 1937 The Hobbit and 1954–55 The Lord of the Rings novels inspired George Lucas's creation of Star Wars in 1977. An early draft for the 1977 Star Wars film is said to have included an exchange of dialogue between Obi-Wan Kenobi and Luke Skywalker taken directly from the conversation between Gandalf and Bilbo in Chapter 1 of The Hobbit, where Bilbo/Luke says "Good morning!"
A real-life religion based on Star Wars called Jediism follows a modified version of the Jedi Code, and they believe in the concept of The Force as an energy field of all living things, which "surrounds us... penetrates us" and "binds the galaxy together", as is depicted within Star Wars movies, although without the fictional elements such as ...
Born in Detroit, Michigan, [3] Greg and Tim Hildebrandt studied at the Meinzinger Art School, [4] and began painting professionally in 1959 as the Brothers Hildebrandt. The brothers both held an ambition to work as animators for Walt Disney, and although they never realized this dream, their work was heavily influenced by illustration style of Disney feature films such as Snow White, Pinocchio ...
Jung's unique title logos for movies such as The Sand Pebbles, Super Fly, Gold and The Omen tie-in key elements that distill down the essence of the films into key art. Star Wars, Style A, 1977. As a freelance illustrator in 1977 working for the motion picture advertising boutique of Smolen, Smith and Connolly, Jung was chosen to work on Star Wars.