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Corridos tumbados (Spanish pronunciation: [koˈriðos tumˈbaðos]), also known as trap corridos, is a subgenre of regional Mexican music, specifically of a corrido, with musical elements of a narcocorrido and rap music. [1] Its style originated in the late-2010s; starting in 2020, it was popularized by Mexican musician Natanael Cano.
Song about the battle of Ciudad Juarez title Toma de Ciudad Juárez. In the Mestizo-Mexican cultural area, the three variants of corrido (romance, revolutionary and modern) are both alive and sung, along with popular sister narrative genres, such as the "valona" of Michoacán state, the "son arribeño" of the Sierra Gorda (Guanajuato, Hidalgo and Querétaro states) and others.
The fusion of trap music and regional Mexican corridos known as corridos tumbados were born in Los Angeles where Cano arrived with Rancho Humilde to showcase his talents. [17] Cano is best known for his creation of corridos tumbados which are inspired in the traditional songs of Mexico and combine the lyrics of trap music and sometimes hip-hop ...
Corridos Tumbados, an extension of Narcocorridos, takes on the genre's principles with an influence of rap and trap, touching on topics like drug violence, social issues, and sexualization.
Upon release, the song received mostly positive reviews from Spanish-speaking media. The Regueton.com site published: "“Bye” is yet another example of his talent and versatility (of Peso Pluma), consolidating his position as one of the most outstanding figures within the Corridos Tumbados genre". [5]
Peso Pluma is a superstar of so-called corridos tumbados, a modern version of traditional Mexican music that incorporates hip hop and reggaeton, among other influences. He was the first regional ...
Despite having a big year, corridos tumbados were largely ignored. Plus more snubs and surprises from the 2023 Latin Grammys nominations.
Junior H is known for being one of the most important figures of the corridos tumbados subgenre, along with Natanael Cano, which are also referred as trap corridos. He also incorporates elements of Latin trap and reggaeton in his music, though the singer's debut on the latter genre would be on "Picardía" with Rauw Alejandro.