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Romance & Cigarettes is a 2005 American musical romantic comedy film written and directed by John Turturro.The film stars an ensemble cast which includes James Gandolfini, Susan Sarandon, Kate Winslet, Steve Buscemi, Bobby Cannavale, Mandy Moore, Mary-Louise Parker, Aida Turturro, Christopher Walken, Barbara Sukowa, Elaine Stritch, Eddie Izzard, and Amy Sedaris.
The F Word (released in some countries as What If?) is a 2013 romantic comedy film directed by Michael Dowse from a screenplay by Elan Mastai, based on the play Toothpaste and Cigars by TJ Dawe and Michael Rinaldi, [5] starring Daniel Radcliffe, Zoe Kazan, Megan Park, Adam Driver, Mackenzie Davis, and Rafe Spall.
Bespectacled Robert Woolsey played a genially leering, cigar-smoking, fast-talking idea man who often got the pair in trouble. The vivacious Dorothy Lee usually played Wheeler's romantic interest. The Wheeler & Woolsey movies are loaded with joke-book dialogue, original songs, puns, and sometimes racy double-entendre gags:
Keep reading for 20 movies like The Kissing Booth that you can stream right now. RELATED: 65 of the Best Romantic Movies of All Time. 1. ‘The Sun Is Also a Star’ (2019) Who’s in it?
Bonita Friml is a Las Vegas lounge singer whose husband Harold Benson is a cigar-smoking recreational gambler with a long winning streak. It seems that he cannot lose to one blackjack dealer in particular, a man named Willie Brodax. When the casino notices Willie's losing streak, they fire him, figuring that he must be jinxed.
Scott Foley (Eric Field) Scott Foley is best known for his roles in Felicity, Scrubs, and Scandal. His wife is Polish actress Marika Dominczy who starred with him in the short-lived spy series ...
Jennifer Grey looked back on how a sex scene with Patrick Swayze — that was ultimately cut from 1984’s Red Dawn — was derailed by him being drunk, and her "smoking a lot of weed" at the time ...
For his next film, Arabian Nights, Pasolini did with Davoli what he had never done in a previous film: he showed Davoli's naked genitalia on screen. It is in this film that Davoli's character Aziz is a very selfish and unfeeling man whose rejection of a woman causes her death and which results in his own castration on screen. Pasolini's own ...