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Italian music has been held up in high esteem in history and many pieces of Italian music are considered high art. More than other elements of Italian culture, music is generally eclectic, but unique from other nations' music. The country's historical contributions to music are also an important part of national pride.
Italian popular music is musical output which is not usually considered academic or classical music but rather has its roots in the popular traditions, and it may be defined in two ways: it can either be defined in terms of the current geographical location of the Italian Republic with the exceptions of the Germanic South Tyrol and the eastern portion of Friuli-Venezia Giulia; alternatively ...
Italian term Literal translation Definition A cappella: in chapel style: Sung with no (instrumental) accompaniment, has much harmonizing Aria: air: Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo ...
Renaissance Music. New York: W. W. Norton & Company. ISBN 0-393-97169-4. Crocker, Richard L (1966). A History of Musical Style. New York: McGraw-Hill. ISBN 0-486-25029-6. Gallo, Alberto (1995). Music in the Castle: Troubadours, Books and Orators in Italian Courts of the Thirteenth, Fourteenth and Fifteenth Centuries. Chicago: University of ...
Thanks to Saturnino, Giovanni Allevi matures the idea of moving to Milan and to gather into one CD his own piano production; this work is picked up by Lorenzo Cherubini, stage name Jovanotti, who, in 1997, under his label Soleluna and together with Universal Italia, decides to publish Allevi's first album, by the title of 13 Dita (13 Fingers) and produced by Saturnino.
The tarantella was adapted into the 1950 song "Lucky, Lucky, Lucky Me", written by Buddy Arnold and Milton Berle, and performed by Evelyn Knight and the Ray Charles Band. [1]