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  2. List of clarinet makers - Wikipedia

    en.wikipedia.org/wiki/List_of_clarinet_makers

    Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G

  3. Leblanc (musical instrument manufacturer) - Wikipedia

    en.wikipedia.org/wiki/Leblanc_(musical...

    During the mid-to-late 1960s Leblanc started sourcing saxophone parts from Yamaha for the Vito-Kenosha line, producing saxophones with both American and Japanese parts. Between 1968 and 1970 Leblanc introduced saxophones under the Vito-Japan line, consisting of alto and tenor saxophones from Yamaha (7131 models), and soprano, alto, and baritone ...

  4. Vito (Leblanc) - Wikipedia

    en.wikipedia.org/wiki/Vito_(Leblanc)

    Vito is a brand name for Leblanc USA, now part of Conn-Selmer USA. The Vito name was used for student through professional (Yanagisawa baritone saxophone) instruments. Leblanc USA was formed in 1946 by Vito Pascucci, and the French woodwind manufacturer, G. Leblanc Cie of

  5. Vito Pascucci - Wikipedia

    en.wikipedia.org/wiki/Vito_Pascucci

    Vito Pascucci (October 22, 1922 – August 18, 2003) was an American businessman, the CEO and co-founder (with Leon Leblanc) of G. Leblanc Corp, an American musical instrument firm based in Kenosha, Wisconsin. The firm started out as the American branch of the French G. Leblanc company.

  6. Tone hole - Wikipedia

    en.wikipedia.org/wiki/Tone_hole

    A tone hole is an opening in the body of a wind instrument which, when alternately closed and opened, changes the pitch of the sound produced. Tone holes may serve specific purposes, such as a trill hole or register hole. A tone hole is, "in wind instruments[,] a hole that may be stopped by the finger, or a key, to change the pitch of the tone ...

  7. Alto clarinet - Wikipedia

    en.wikipedia.org/wiki/Alto_clarinet

    The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]