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The daughter of Zeus and Leto, and the twin sister of Apollo. Her symbols include the Moon, horse, deer, hound, she-bear, snake, cypress tree, and bow and arrow. Ares: Mars: God of war, violence, bloodshed and manly virtues. The son of Zeus and Hera, all the other gods despised him except Aphrodite. His Latin name, Mars, gave us the word "martial".
Ares overhears that his son Ascalaphus has been killed and wants to change sides again, rejoining the Achaeans for vengeance, disregarding Zeus's order that no Olympian should join the battle. Athena stops him. Later, when Zeus allows the gods to fight in the war again, Ares attacks Athena to avenge his previous injury.
Zeus (/ zj uː s /, Ancient Greek: Ζεύς) [a] is the sky and thunder god in ancient Greek religion and mythology, who rules as king of the gods on Mount Olympus.. Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, though sometimes reckoned the eldest as the others required disgorging from Cronus's stomach.
Key: The names of groups of gods or other mythological beings are given in italic font. Key: The names of the Titans have a green background. Key: Dotted lines show a marriage or affair. Key: Solid lines show children.
Some gods were specifically associated with a certain city. Athena was associated with Athens, Apollo with Delphi and Delos, Zeus with Olympia and Aphrodite with Corinth. But other gods were also worshipped in these cities. Other deities were associated with nations outside of Greece; Poseidon was associated with Ethiopia and Troy, and Ares ...
Classical mythology, also known as Greco-Roman mythology or Greek and Roman mythology, is the collective body and study of myths from the ancient Greeks and ancient Romans. Mythology, along with philosophy and political thought, is one of the major survivals of classical antiquity throughout later, including modern, Western culture. [1]
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
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