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The book is a collection of Seamus Heaney's poems published between 1966 and 1996. It includes poems from Death of a Naturalist (1966), Door into the Dark (1969), Wintering Out (1972), Stations (1975), North (1975), Field Work (1979), Station Island (1984), The Haw Lantern (1987), Seeing Things (1991), and The Spirit Level (1996).
Heaney originally wanted to name the work “Polder.” His editor, Charles Monteith, insisted that Heaney change the title because readers may not be able to pronounce the word. Heaney then wanted the title “Easter Water,” but this name was also discarded in favor of the final name: Field Work.
In the preface, Heaney states his editor, Paul Keegan, encouraged him to create the book. Numerous essays in the book were previously published in earlier collections, namely 1980 Preoccupations, [2] 1988 The Government of the Tongue, 1995 The Redress of Poetry, and the 1989 collection of "Richard Ellmann Lectures in Modern Literature" given in Emory University titled The Place of Writing.
Electric Light (Faber and Faber, 2001, ISBN 978-0-571-20798-5) is a poetry collection by Seamus Heaney, who received the 1995 Nobel Prize in Literature.The collection explores childhood, nature, and poetry itself.
Seamus Heaney was recorded reading this collection on the Seamus Heaney Collected Poems album. The title of the collection, Station Island , is taken from the long poem of the same name that comprises the second part of the collection.
The poetry in District and Circle has been widely and positively reviewed by the critics. [6] On Bookmarks Magazine Sep/Oct 2006 issue, a magazine that aggregates critic reviews of books, the book received a (4.5 out of 5) based on critic reviews with a critical summary saying, "Critics describe Heaney’s newest book of poetry as original, startling, authentic, even supernatural—and his ...
Stations is a collection of prose poems by Seamus Heaney, who received the 1995 Nobel Prize in Literature.It was published in 1975. [1] [2]This particular collection presents a style of writing which was then new to Heaney, known as "verse paragraphs" or prose poems.