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Pages in category "Spanish operatic tenors" The following 21 pages are in this category, out of 21 total. This list may not reflect recent changes. A. Celso Albelo;
Tenor part 23 February 1967 Boston oratorio 1969 16 Requiem: Verdi: Tenor part 20 May 1969 London oratorio 1970 17 Missa Solemnis: Beethoven Tenor part 23 May 1970 St. Peter's Basilica: Rome oratorio 1984 18 Requiem: Lloyd Webber: Tenor part 1984 (studio) 25 February 1985 (live) St. Thomas Church Studio New York [6] oratorio 1989 19 Goya: A ...
Spanish operatic tenors (2 C, 21 P) Pages in category "Spanish tenors" The following 5 pages are in this category, out of 5 total. This list may not reflect recent ...
The reason given is: This can be expanded from articles listed at Category:Spanish musicians. Please help update this article to reflect recent events or newly available information. ( June 2024 )
The Three Tenors repertoire ranged from opera to Broadway to Neapolitan songs and pop hits. The group's signature songs included " Nessun dorma " from Puccini's opera Turandot , usually sung by Pavarotti, and the song " 'O sole mio ", which all three tenors typically sang together.
Gaspar Sanz (1640–1710), composer, dominate figure of Spanish baroque music; Jordi Savall (born 1941), early and baroque music conductor and viol player; Andrés Segovia (1893–1987), classical guitarist; Ángel Sola (1859–1910), bandurrista; Antonio Soler (1729–1783), composer, known for his harpsichord sonatas
The concert is particularly known for the two recordings of "Nessun dorma". The first is sung by Pavarotti alone. The second, the concert encore, includes all three tenors singing individually and then, for the final 'Vincerò!' singing together - conductor Zubin Mehta appeared completely delighted with the effect this had.
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C 3 (C one octave below middle C), to the high C (C 5). The low extreme for tenors is roughly A 2 (two octaves below middle C). At the highest extreme, some tenors can sing up to F one octave above middle C (F ...