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Yanni Live! The Concert Event is the third live album by Yanni . It was recorded live at the Mandalay Bay Events Center , Las Vegas on November 6, 2004, and released in August 2006 as a CD and concert film on DVD.
The music in Yanni's 2003 album Ethnicity represented many of the world's cultures, Yanni saying it uses ethnicity to reflect the color and beauty of a multicultural society. [51] The album was released near the publication date of Yanni's autobiography, Yanni in Words. [ 51 ]
Live at Royal Albert Hall is the second concert film by Yanni, recorded in November 1995 at the Royal Albert Hall and featuring the Royal Albert Hall Organ in performance with Yanni's own symphony orchestra. The corresponding concert tour for 1995 was Yanni Live, The Symphony Concerts 1995.
The discography of the Greek contemporary instrumental musician Yanni includes 19 studio albums and eight live albums.In 1987 he put together a small band which included John Tesh and Charlie Adams, and began touring to promote his earliest instrumental albums, Keys to Imagination, Out of Silence, and Chameleon Days.
Tribute is the second live album and third concert film by Greek keyboardist and songwriter Yanni, released in November 1997 on Virgin Records.It was recorded at the Taj Mahal, India in March 1997 and the Forbidden City, China, in May 1997, both featuring Yanni performing with a seven-piece band, choir, and 27-piece orchestra.
Yanni's lighting manager for over twenty years, Bud Horowitz, said that the Pyramids location brought its own set of challenges. [6] The Great Pyramid was a kilometer behind the stage, and 24 searchlights had to be brought to Egypt from Germany to light the pyramids and Sphinx in the background so that they were visible beyond the bright stage ...
Live at the Acropolis is the first live album and concert film by the Greek keyboardist, composer, and producer Yanni, released on March 1, 1994, on Private Music.It was recorded at the Herodes Atticus Theatre in Athens, Greece during his 1993 tour in support of his eighth studio album, In My Time (1993).
For Niki Nana, Yanni incorporated more rock-oriented arrangements with rhythm dominating the music, for which he used his time playing in rock bands in his early career as inspiration. [ 1 ] "Niki Nana (We're One)" started as an instrumental track and Yanni felt it had a celebratory feel, hearing "people singing and dancing" of a South American ...