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The boldness and weight at this smaller size can actually make a piece of text more difficult to read. For this reason, the fonts that are commonly used to type large blocks of text are not overly dark or heavy on the page. They create a good balance of text color and white space. This balance is important for an attractive and legible piece of ...
Typography and design were crucial to helping these relationships progress—clarity, objectivity, region-less glyphs, and symbols are essential to communication between international partners. International Typographic Style found its niche in this communicative climate and expanded further beyond Switzerland, to America.
Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces , point sizes , line lengths , line spacing , letter spacing , and spaces between pairs of letters . [ 1 ]
The Elements of Typographic Style is a book on typography and style by Canadian typographer, poet and translator Robert Bringhurst.Originally published in 1992 by Hartley & Marks Publishers, it was revised in 1996, 2001 (v2.4), 2002 (v2.5), 2004 (v3.0), 2005 (v3.1), 2008 (v3.2), and 2012 (v4.0).
Poem typeset with generous use of decorative dingbats around the edges (1880s). Dingbats are not part of the text. In typography, a dingbat (sometimes more formally known as a printer's ornament or printer's character) is an ornament, specifically, a glyph used in typesetting, often employed to create box frames (similar to box-drawing characters), or as a dinkus (section divider).
Line art is a rather non-specific term sometimes used for any image that consists of distinct straight and curved lines placed against a (usually plain) background, without gradations in shade (darkness) or hue to represent two-dimensional or three-dimensional objects. Line art is usually monochromatic, although lines may be of different colors.