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A Japanese chimera with the features of the beasts from the Chinese Zodiac: a rat's head, rabbit ears, ox horns, a horse's mane, a rooster's comb, a sheep's beard, a dragon's neck, a back like that of a boar, a tiger's shoulders and belly, monkey arms, a dog's hindquarters, and a snake's tail. Koto-furunushi
Yūrei from the Hyakkai Zukan, c. 1737. Yūrei are figures in Japanese folklore analogous to the Western concept of ghosts.The name consists of two kanji, 幽 (yū), meaning "faint" or "dim" and 霊 (rei), meaning "soul" or "spirit".
In the Japanese role-playing horror game Ao Oni, the titular oni is depicted as a blue/purplish creature with a large head and human-like features. In the subsequent 2014 movie adaptation, the oni is given a radical makeover to appear more monstrous and scary, while in its 2016 anime adaptation, the oni remains faithful to its original appearance.
Yōkai (妖怪, "strange apparition") are a class of supernatural entities and spirits in Japanese folklore.The kanji representation of the word yōkai comprises two characters that both mean "suspicious, doubtful", [1] and while the Japanese name is simply the Japanese transliteration or pronunciation of the Chinese term yaoguai (which designates similarly strange creatures), some Japanese ...
Onryō are used as subjects in various traditional Japanese performing arts such as Noh, Kabuki, and Rakugo; for example, hannya is a Noh mask representing a female onryō. [5] The Japanese people's reverence for onryō has been passed down to the present day.
Japanese urban legends, enduring modern Japanese folktales; La Llorona, the ghost of a woman in Latin American folklore; Madam Koi Koi, an African urban legend about the ghost of a dead teacher; Ouni, a Japanese yōkai with a face like that of a demon woman (kijo) torn from mouth to ear
Umibōzu (海坊主, "sea priest") is a giant, black, human-like being and is the figure of a yōkai from Japanese folklore. Other names include Umihōshi (海法師, "sea priest") or Uminyūdō (海入道, "sea priest"). Little is known of the origin of umibōzu but it is a mythical sea-spirit creature and as such has multiple sightings ...
Kaidan entered the vernacular during the Edo period, when a parlour game called Hyakumonogatari Kaidankai became popular. This game led to a demand for ghost stories and folktales to be gathered from all parts of Japan and China.The popularity of the game, as well as the acquisition of a printing press, led to the creation of a literary genre called kaidanshu.