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70 mm film (or 65 mm film) is a wide high-resolution film gauge for motion picture photography, with a negative area nearly 3.5 times as large as the standard 35 mm motion picture film format. [1] As used in cameras, the film is 65 mm (2.6 in) wide. For projection, the original 65 mm film is printed on 70 mm (2.8 in) film.
The development of this camera started in 1983. The goal was to design a 65 mm movie camera, which was quiet enough to fit sync sound productions and had a similar ergonomy to 35 mm cameras, to answer the growing demand for 65 mm cameras. Other 65 mm cameras had noise production of up to 50 dBA, which made sound recording impossible. [1] The ...
The entire film is shown in the 2.40:1 aspect ratio. [12] Sinners (2025) - Directed by Ryan Coogler, filmed in Ultra Panavision 70 with sequences shot with 15/70 mm IMAX film cameras. Many sources often claim the 1959 film The Big Fisherman was filmed in Ultra Panavision, but Panavision itself says that the film was shot in Super Panavision 70 ...
In a conventional 65 mm camera, the film passes vertically through the camera, five perforations at a time, or 34 meters (112 ft) per minute. In comparison, in a conventional 35 mm camera, 35 mm film passes vertically through the camera, at four (smaller) perforations at a time, which translates to 27.4 meters (90 ft) per minute. [23]
The following movies were filmed using 65mm or 70mm negative stock. Titles are followed by the photographic process(es) employed. Releases produced in Todd-AO, Todd-70, Super Panavision 70 (also known as Panavision 70), Panavision System 65 (also known as Panavision Super 70), Dimension 150, Arri 765 and Superpanorama 70 (also known as MClS 70 and MCS Superpanorama 70) were photographed with ...
With the advent of cameras like the Alexa 65, a new generation of large format filmmaker is using its immersive qualities in exciting ways. Large Format Cameras Are Changing Film Language, From ...
For digital photo cameras ("digital still cameras"), an exposure index (EI) rating—commonly called ISO setting—is specified by the manufacturer such that the sRGB image files produced by the camera will have a lightness similar to what would be obtained with film of the same EI rating at the same exposure. The usual design is that the ...
65 mm 1.00 unperforated spherical not known 1.00 spherical Machine Camera: Wm. Friese-Greene: 1889 Hyde Park Corner & Marble Arch: 65 mm 1.00 pin wheel perforation spherical Kinetoscope cylinder: Wm. Dickson & T. Edison: 1889 or 1890 Monkeyshines, No. 1: strip rolled around a cylinder unperforated spherical spherical Kinesigraph: Wordsworth ...