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El baile flamenco is known for its emotional intensity, proud carriage, expressive use of the arms and rhythmic stamping of the feet, unlike tap dance or Irish dance which use different techniques. As with any dance form, many different styles of flamenco have developed.
The rumba flamenca dance has some origins in Catalonia, specifically in the downtown areas of Barcelona, where gypsies performed rumba catalana at the times of this genre's flowering popularity. The dance that it accompanied was improvised with prominent hip and shoulder movements, more overtly sexual than other styles of flamenco dances. [5]
The dance became obsolete in the mid-19th century, but survived in an academic tradition known as the escuela bolera, which influenced the development of modern flamenco dancing. One of the palos (styles) of flamenco is derived directly from the dance, the seguidillas boleras.
Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab Zyriab song form, the classical Andalusian orchestras of the Islamic Empire, the Jewish synagogue chants, Mozarabic forms such as zarchyas and zambra, Arabic zayal (the foundation for ...
Its origin is traditionally associated with Galicia, a region in northern Spain. [2] An instrumental adaptation of the farruca was developed by guitarist Ramón Montoya and flamenco dancer Faíco in the 20th century. [3] [4] Others who stylized and expanded farruca include Antonio de Bilbao, Manolito la Rosa and El Batato. [1]
"She is an icon in flamenco dance history," he said. Like all icons, Benítez encouraged a bit of mythology about her own background, said biographer Jaima Chevalier, who grew up knowing Benítez ...
One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (literally "a tap of the foot") and bulerías. This structure though, is not followed when ...
The vague etymological origin of the term rumba, as well as its interchangeable use with guaracha in settings such as bufo theatre, [3] is largely responsible for such worldwide polysemy of the term. In addition, "rumba" was the primary marketing term for Cuban music in North America, as well as West and Central Africa, during much of the 20th ...