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Direct-to-garment printing (DTG) is a process of printing on textiles using specialized aqueous ink jet technology. DTG printers typically have a platen designed to hold the garment in a fixed position, and the printer inks are jetted or sprayed onto the textile by the print head.
Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter . The process uses the principle of viscosity to print multiple colors of ink from a single plate, rather than relying upon multiple plates for color separation .
In intaglio printing, the lines to be printed are cut into a metal (e.g. copper) plate by means either of a cutting tool called a burin, held in the hand – in which case the process is called engraving; or through the corrosive action of acid – in which case the process is known as etching. [6] [7]
The CMYK color model (also known as process color, or four color) is a subtractive color model, based on the CMY color model, used in color printing, and is also used to describe the printing process itself. The abbreviation CMYK refers to the four ink plates used: cyan, magenta, yellow, and key (most often black).
Sumizuri-e (墨摺り絵, "ink printed pictures") – monochrome printing using only black ink; Benizuri-e (紅摺り絵, "crimson printed pictures") – red ink details or highlights added by hand after the printing process；green was sometimes used as well; Tan-e (丹絵) – orange highlights using a red pigment called tan
The intaglio printmaking techniques all print images from ink held in the lines or other recesses made by the artist in the printing plate. For each impression, ink is spread over the whole plate, worked well in, and then the flat surface is normally wiped carefully clean to remove all ink except that in the recesses, using a form of squeegee.
Using stencils to apply the glue and sprinkling different amounts of carborundum through the different stencils. To print a carborundum print, the surface is covered in ink, and then the surface is wiped clean with tarlatan cloth or newspaper, leaving ink only in the texture of the screen or carborundum. A damp piece of paper is placed on top ...
Printing is essentially the same as for the other intaglio techniques, but extra care is taken to preserve the burr. After the image is finished, or at least ready to proof, the artist applies ink to the plate with a dauber. Too much pressure will flatten the burrs and ruin the image.