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In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
These styles have all borrowed from African rhythms and sounds, brought over the Atlantic Ocean by enslaved Africans. African music in Sub-Saharan Africa is mostly upbeat polyrhythmic and joyful, whereas the blues should be viewed as an aesthetic development resulting from the conditions of slavery in the new world. [21]
This is a list of musicians from African countries This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Pygmy music refers to the sub-Saharan African music traditions of the Central African foragers (or "Pygmies"), predominantly in the Congo, the Central African Republic and Cameroon. Pygmy groups include the Bayaka, the Mbuti, and the Batwa. Music is an important part of Pygmy life, and casual performances take place during many of the day's events.
Music. The music of Africa is one of its most dynamic art forms. Egypt has long been a cultural focus of the Arab world, while remembrance of the rhythms of sub-Saharan Africa, in particular west Africa, was transmitted through the Atlantic slave trade to modern samba, blues, jazz, reggae, rap, and rock and roll.
Various other terms are used to describe it [1] including desert rock, Saharan rock, [3] Takamba, [2] Mali blues, [4] Tuareg rock [5] or simply "guitar music". [6] The style has been pioneered by Tuareg musicians in the Sahara region, particularly in Mali , Niger , Libya , Algeria , Burkina Faso and others; with it also being developed by ...
African drum made by Gerald Achee Drummers in Accra, Ghana. Sub-Saharan African music is characterised by a "strong rhythmic interest" [1] that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting one main system. [2] C. K.
Salegy artist Jaojoby performing in Paris. Salegy (Malagasy pronunciation:) is a popular music genre from Madagascar.Originating as a Sub-Saharan African folk music style in the northwestern coastal areas of Madagascar, modern salegy is the genre of Malagasy music that has gained the widest recognition and commercial popularity in the international market.