Search results
Results From The WOW.Com Content Network
(English: "Michael Angelo Buonarroti, the Florentine created this. ") The signature echoes one used by the ancient Greek artists Apelles and Polykleitos. It was the only work he ever signed. Vasari also reports the anecdote that Michelangelo later regretted his outburst of pride and swore never to sign another work of his hands. [12] [13] Fifty ...
Download as PDF; Printable version; In other projects ... This is a list of replicas of Michelangelo's 1498–1499 ... Text is available under the Creative Commons ...
Michelangelo Buonarotti's Pietà in Saint Peter's Basilica, 1498–1499.Crowned by the Pontifical decree of Pope Urban VIII in 1637.. The Pietà (Italian pronunciation:; meaning "pity", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from the Cross.
David is a masterpiece of Italian Renaissance sculpture in marble [1] [2] created from 1501 to 1504 by Michelangelo.With a height of 5.17 metres (17 ft 0 in), the David was the first colossal marble statue made in the High Renaissance, and since classical antiquity, a precedent for the 16th century and beyond.
While Michelangelo's David is the most famous male nude of all time, some of his other works have had perhaps even greater impact on the course of art. The twisting forms and tensions of the Victory , the Bruges Madonna and the Medici Madonna make them the heralds of the Mannerist art.
The theme of the Pietà, so dear to the sculptor Michelangelo, is addressed in a highly emotional composition, as in the Crucifixion for Colonna. The dead Jesus is cradled between the grieving Mary's legs, who raises her arms to heaven as two angels also raise Christ's arms at right angles.
The Deposition (also called the Bandini Pietà or The Lamentation over the Dead Christ) is a marble sculpture by the Italian High Renaissance master Michelangelo.The sculpture, on which Michelangelo worked between 1547 and 1555, depicts four figures: the dead body of Jesus Christ, newly taken down from the Cross, Nicodemus [1] (or possibly Joseph of Arimathea), Mary Magdalene and the Virgin Mary.
The Palestrina Pietà is a marble sculpture of the Italian Renaissance, dating from c. 1555 and now in the Galleria dell'Accademia, Florence.It was formerly attributed to Michelangelo, but now it is mostly considered to have been completed by someone else, such as Niccolò Menghini [1] or Gian Lorenzo Bernini. [2]