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Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour.
Post-Impressionism Signature Jacob Abraham Camille Pissarro ( / p ɪ ˈ s ɑːr oʊ / piss- AR -oh ; French: [kamij pisaʁo] ; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands , but then in the Danish West Indies ).
Post-Impressionism: René-Paul Schützenberger (29 July 1860 – 31 December 1916) was a French Post-Impressionist painter. [1] Biography.
Post-Impressionism, Pointillism, Divisionism, Neo-impressionism Paul Victor Jules Signac ( / s iː n ˈ j ɑː k / seen- YAHK , [ 1 ] French: [pɔl siɲak] ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, with Georges Seurat , helped develop the artistic technique Pointillism .
Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th ...
Arrangement in Flesh Colour and Brown: Portrait of Arthur J. Eddy (1894), James McNeill Whistler. Arthur Jerome Eddy (November 5, 1859 – July 21, 1920, in New York City, New York) was an American lawyer, author, art collector, and a prominent member of the first generation of American Modern art collectors.
Henri-Jean Guillaume "Henri" Martin (French pronunciation: [ɑ̃ʁi ʒɑ̃ ɡijom maʁtɛ̃]; 5 August 1860 – 12 November 1943) was a French painter.Elected to the Académie des Beaux-Arts in 1917, he has been described as a prolific master whose work has touches of melancholy, dreaminess and mystery.
New York – Post Impressions. Minnesota Star Tribune, 6 October 1927; Twenty Rules for Writing Detective Stories. American Magazine, September 1928, pp. 26–30. [19] I Used to Be a Highbrow, But Look at Me Now. American Magazine, Sept. 1928. New York: Scribner, 1929. "The Closed Arena." Scribner's Magazine, Mar. 1930, pp. 237–43.