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"Joy to the World! The Lord Will Come" is an adaptation by W. W. Phelps of the popular Christmas carol "Joy to the World". The adapted song was included in A Collection of Sacred Hymns, the first Latter Day Saint hymnal, which was prepared for publication in 1835 and published in February 1836 [1] as well as all English-language hymnals published by the LDS Church since 1948. [2]. The textual ...
The poem, like many of Oliver St. John Gogarty 's humorous verses, was written for the private amusement of his friends. In the summer of 1905, he sent a copy to James Joyce, then living in Trieste, via their common acquaintance Vincent Cosgrave. Joyce and Gogarty had quarreled the previous autumn, and Cosgrave presented the poem as a peace ...
" Jesu, meine Freude" ([ˈjeːzu ˈmaɪnə ˈfʁɔʏdə]; Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, [1] with a melody, Zahn No. 8032, by Johann Crüger. The song first appeared in Crüger's hymnal Praxis pietatis melica in 1653. The text addresses Jesus as joy and support, versus enemies and the vanity of existence.
Studwell describes the poem as "simple, direct and sincere" and notes that it is a rare example of a carol which has overcome the disadvantage of "not having a tune (or two or three) which has caught the imagination of holiday audiences." [7] Love came down at Christmas, Love all lovely, Love Divine, Love was born at Christmas,
Winifred Emma May (4 June 1907 – 28 August 1990) was a poet from the United Kingdom, best known for her work under the pen name Patience Strong.Her poems were usually short, simple and imbued with sentimentality, the beauty of nature and inner strength.
Advent 2024: Reclaiming Christmas: Living Out Biblical Love. We all need to just relax a little bit and remember the reason for the season: Jesus. This is the time when we celebrate our Savior’s ...
"The Hymn of Joy" [1] (often called "Joyful, Joyful We Adore Thee" after the first line) is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.
Pound wrote the poem as a direct response to what he considered inappropriately effeminate portrayals of Jesus, comparing Jesus—a "man o' men"—to "capon priest(s)"; [1] he subsequently told T.P.'s Weekly that he had "been made very angry by a certain sort of cheap irreverence".