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Ave verum corpus is a short Eucharistic chant that has been set to music by many composers. It dates to the 13th century, first recorded in a central Italian Franciscan manuscript (Chicago, Newberry Library, 24).
Free recordings of Byrd's Ave verum corpus (Archived 14 March 2016 at the Wayback Machine) Free recordings of Mass for four voices and some Christmas motets; Motet Ave Verum Corpus as interactive hypermedia at the BinAural Collaborative Hypertext; Kunst der Fuge: William Byrd – Free MIDI files
Ave verum corpus; O salutaris hostia; O sacrum convivium [Pange lingua] – Nobis datus; Miscellaneous pieces. Ecce quam bonum; ... William Byrd: Keyboard music.
Ave maris stella; Ave Sanctissima [2] Ave verum corpus; B. Be Joyful Mary; Be Forgiven [3] Be Thou My Vision; Behold a simple tender Babe; Before the Sun Burned Bright;
Ex. 1, from Ave Verum Corpus, by William Byrd. Play ⓘ In the above example, a chromatic false relation occurs in two adjacent voices sounding at the same time (shown in red). The tenor voice sings G ♯ while the bass sings G ♮ momentarily beneath it, producing the clash of an augmented unison.
Ave verum corpus ("Hail, True Body"), (K. 618), is a motet in D major composed by Wolfgang Amadeus Mozart in 1791. It is a setting of the Latin hymn of the same name.Mozart wrote it for Anton Stoll, a friend who was the church musician of St. Stephan in Baden bei Wien.
In Mozart's Ave verum corpus, K. 618, where it is the only dynamic marked, at the beginning of all choral and instrumental parts. In the sung parts in Mozart's Requiem, K. 626, particularly the Dies irae sequence: [3]
"Verbum caro factum est" ("The Word became flesh") is a sacred motet for six voices by Hans Leo Hassler. The Latin text is taken from the prologue to the Gospel of John.The voices are divided into two groups of three that sing antiphonally in the Venetian polychoral style.