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Most Renaissance lute music has been transcribed for guitar (see List of composers for lute). The baroque guitar (c.1600–1750) was a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course was sometimes a single string.
In the 20th century, many non–guitarist composers wrote for the instrument, which previously only players of the instrument had done. For a larger list of composers who have written for the solo guitar, see the list of composers for the classical guitar. Some of the better–known are: Hermann Ambrosius (1897–1983) Louis Andriessen (1939 ...
The following is a non-comprehensive list of composers who have composed original music for the classical guitar, or music which has been arranged for it. This list is sortable by name, nationality and years of birth or death.
Pages in category "Composers for the classical guitar" The following 172 pages are in this category, out of 172 total. This list may not reflect recent changes. ...
List of Cambridge Companions to Music; List of classical music concerts with an unruly audience response; List of French haute-contre roles; List of historical opera characters; List of Innsbruck Festival of Early Music productions; List of musical items in Claudio Monteverdi's L'Orfeo; List of performances of French grand operas at the Paris ...
Commonly used in both popular and classical music, barre chords are frequently used in combination with "open" chords, where the guitar's open (unfretted) strings construct the chord. Playing a chord with the barre technique slightly affects tone quality. A closed, or fretted, note sounds slightly different from an open, unfretted, string.
International classical guitar competitions are public events designed to identify and award outstanding classical guitar soloists, ensembles, and composers. They allow artists to promote themselves and gain exposure. Some competitions also have newly composed "set" pieces which serve to increase the classical guitar repertoire.
The golden age of the Russian guitar: Repertoire, performance practice, and social function of the Russian seven-string guitar music, 1800–1850 (PhD dissertation). Ann Arbor, MI (published 2006). pp. 1– 584. OCLC 936747346. Vincent, Randy (2011). "Chapter II: Tweaking drop 2". Jazz guitar voicings. Vol. I. Sher Music Company. ISBN 978 ...