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From 1905 to 1988, The Paraffine Paint Co. of San Francisco had Malthoid as a trademark for waterproof and weatherproof building and roofing materials made of paper and felt in whole or in part. [13] However, it had become well known before that. [14] About 1913, Paraffine promoted its Malthoid roofing materials with a 16-page booklet. [15]
The sheen [4] or gloss level of a paint is principally determined by the ratio of resinous, adhesive binder, which solidifies after drying, and solid, powdery pigment.The more binder the coating contains, the more regular reflection will be made from its smooth surface; conversely, with less binder, grains of pigment become exposed to the surface, scattering the light and providing matte ...
The binder is a combination of silica sol and water glass. The organic fraction is limited to 5 mass percent similar to dispersion silicate paint allowing for chemical setting and retaining of the silicate specific advantages. The sol silicate paint allows use on non-mineral plaster. [4] For these the bonding occurs chemically and physically.
In the moraq technique, single-color tiles were cut into small geometric pieces and assembled by pouring liquid plaster between them. After hardening, these panels were assembled on the walls of buildings. But the mosaic was not limited to flat areas. Tiles were used to cover both the interior and exterior surfaces of domes.
The solvent also modifies the curing rate and viscosity of the paint in its liquid state. There are two types of paint: solvent-borne and water-borne paints. Solvent-borne paints use organic solvents as the primary vehicle carrying the solid components in a paint formulation, whereas water-borne paints use water as the continuous medium.
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Tiles of marble were first used around the year 620 BC. [4] Besides the superior beauty and durability of the material, these tiles could be made of a much larger size than those of clay. Consequently, they were used in the construction of the greatest temples, such as the Temple of Zeus at Olympia , [ 4 ] the Parthenon at Athens , and the ...
Until the 16th century, window glass or other flat glass was generally cut from large discs (or rondels) of crown glass. Larger sheets of glass were made by blowing large cylinders which were cut open and flattened, then cut into panes. Most window glass in the early 19th century was made using the cylinder method. The 'cylinders' were 6 to 8 ...