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The song was popular among old-time musicians of the Cumberlands before being widely adopted in the bluegrass repertoire. [4] Many variants of "Shady Grove" exist (up to 300 stanzas by the early 21st century). [5] The lyrics describes "the true love of a young man's life and his hope they will wed," [6] and it is sometimes identified as a ...
Its time of composition is unknown, and according to Bob Coltman, the tune is probably older than the lyrics. [2] The most famous Cripple Creek is Cripple Creek, Colorado, where a mining town was formed after gold was discovered there in 1891. However most traditional Virginia musicians believe that the song refers to Cripple Creek, Virginia. [2]
An instrumental version, as collected by John A. Lomax under the title "Angelina the Baker" [4] is a popular fiddle or banjo tune, and differs from the Stephen Foster melody. . It is part of the old time fiddle canon, but is also played by bluegrass musicians.
Bluegrass banjoist Earl Scruggs delivered a memorable performance of "Cumberland Gap" at the Newport Folk Festival in 1959. [11] The song has since been recorded and performed by dozens of bluegrass, country, and folk musicians, including the 2nd South Carolina String Band 's rendition of the Civil War lyrics.
The song was recorded by many artists through the years. The first known recording is from 1923 by Henry Whitter, an Appalachian singer, [2] [3] as "Lonesome Road Blues". The earliest versions of the lyrics are from the perspective of an inmate in prison with the refrain, "I'm down in that jail on my knees" and a reference to eating "corn bread and beans."
Old & In the Way was a bluegrass group formed in 1973. It was composed of Peter Rowan (guitar, vocals), Vassar Clements (fiddle), Jerry Garcia (banjo, vocals), David Grisman (mandolin, vocals), and John Kahn (string bass). When the group was forming, it was intended that John Hartford would be the fiddle player. Based on Hartford's engagements ...
In most traditional bluegrass bands, the guitar rarely takes the lead, instead acting as a rhythm instrument, one notable exception being gospel-based songs. Melodies and lyrics tend to be simple, often in the key of G, and a I-IV-V chord pattern is common. In traditional bluegrass, instrumental breaks are typically short and played between ...
Bill Monroe's 1941 and 1952 recordings, both under the title "In the Pines", were highly influential on later bluegrass and country versions.Recorded with his Bluegrass Boys and featuring fiddles and yodelling, they represent the "longest train" variant of the song, and omit any reference to a decapitation.