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Tongan narrative, Tongan mythology, or ancient Tongan religion, sometimes referred to as tala-ē-fonua (meaning, "telling of the land and its people") [1] in Tongan, is the collation of various myths, legends, stories, traditions, characters, creatures, spirits, and gods of the Polynesian islands that now make up the island nation of Tonga.
The Tongan castaways were a group of six Tongan teenage boys who shipwrecked on the uninhabited island of ʻAta in 1965 and lived there for 15 months until their rescue. The boys ran away from their boarding school on the island of Tongatapu, stealing a boat in their escape. After a storm wrecked the boat, they drifted to the abandoned, remote ...
Among the first published works of Tongan literature, in the late 1960s and early 1970s, were 'Epeli Hau'ofa's short stories and Konai Helu Thaman's poetry. Hau'ofa's popular collection of short stories Tales of the Tikongs (1973) was followed by a novel, Kisses in the Nederends , 1987, noted for its satirical style.
What is known about Tonga before European contact comes from myths, stories, songs, poems (as there was no writing system), as well as from archaeological excavations. Many ancient sites, kitchens and refuse heaps, have been found in Tongatapu and Haʻapai , and a few in Vavaʻu and the Niuas that provide insights into old Tongan settlement ...
Tongan stories tell that Tuʻitātui had a pet turtle named Sāngone of which he was very fond. One day a Samoan named Lekapai stole the turtle and ate it. By the time Fasiʻapule came with a recovery expedition to Savaiʻi, only the shell was left, buried at a secret place and guarded over by the dwarf Lafaipana.
The story cycle around Kae and Sinilau is well known in Polynesian mythology, found in several places (see notes).This article describes the Tongan version, of which the main source is an old poem (Ko e folau ʻa Kae – The voyage of Kae) published in 1876, and some other, incomplete manuscripts.
In Tongan mythology, or oral history, ʻAhoʻeitu is a son of the god ʻEitumātupuʻa and a mortal woman, ʻIlaheva Vaʻepopua.He became the first king of the Tuʻi Tonga (Tonga king) dynasty in the early 10th century, dethroning the previous one with the same name but originating from the uanga (maggots) instead of divine; see Kohai, Koau, mo Momo.
Any description of Tongan culture that limits itself to what Tongans see as anga fakatonga would give a seriously distorted view of what people actually do, in Tonga, or in diaspora, because accommodations are so often made to anga fakapālangi. The following account tries to give both the idealized and the on-the-ground versions of Tongan culture.