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The simplest way to change the duration or pitch of an audio recording is to change the playback speed. For a digital audio recording, this can be accomplished through sample rate conversion. When using this method, the frequencies in the recording are always scaled at the same ratio as the speed, transposing its perceived pitch up or down in ...
Increase or decrease playback speed in 100% increments; Adding an echo (without reverberation) Reversing the current audio clip; These features, however, were either removed in Windows Vista or taken over by other applications. [6] The playback and trimming features reappeared in Voice Recorder, although Voice Recorder can only play its own ...
Scrobbling: ability to share current playback information from MusicBee to Last.fm. Look and feel customization: the layout and appearance of various player elements is open for extensive modification, including adjustable key bindings. MiniLyrics integration: for display and editing of song lyrics synchronized to audio files.
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Audio Random Access (commonly abbreviated to ARA) is an extension for audio plug-in interfaces, such as AU, VST and RTAS, allowing them to exchange a greater amount of audio information with digital audio workstation (DAW) software. It was developed in a collaboration between Celemony Software and PreSonus.
It supports the DirectSound, ASIO and WASAPI audio interfaces, and it uses 32-bit audio processing for its 18-band equalizer and built-in sound effects (Reverb, Flanger, Chorus, Pitch, Tempo, Echo, Speed, Bass, Enhancer, Voice Remover). AIMP can store the currently played media file in RAM, up to 250 MB, ensuring smooth playback.
Possible bitrate and latency combinations compared with other audio formats. Opus supports constant and variable bitrate encoding from 6 kbit/s to 510 kbit/s (or up to 256 kbit/s per channel for multi-channel tracks), frame sizes from 2.5 ms to 60 ms, and five sampling rates from 8 kHz (with 4 kHz bandwidth) to 48 kHz (with 20 kHz bandwidth, the human hearing range).
A Dolby noise-reduction system, or Dolby NR, is one of a series of noise reduction systems developed by Dolby Laboratories for use in analog audio tape recording. [1] The first was Dolby A, a professional broadband noise reduction system for recording studios that was first demonstrated in 1965, but the best-known is Dolby B (introduced in 1968), a sliding band system for the consumer market ...