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Graining, wood graining, or faux bois (French for "fake wood") is often used to imitate exotic or hard-to-find wood varieties. Trompe-l'œil, "fool the eye" in French, is a realistic painting technique often used in murals, and to create architectural details as well as depth and 3 dimensionality. Venetian plaster is a smooth and often shiny ...
Exterior insulation and finish system (EIFS) is a general class of non- load bearing building cladding systems that provides exterior walls with an insulated, water-resistant, finished surface in an integrated composite material system. EIFS has been in use since the 1960s in North America and was first used on masonry buildings.
Cladding is the application of one material over another to provide a skin or layer. In construction, cladding is used to provide a degree of thermal insulation and weather resistance, and to improve the appearance of buildings. [1] Cladding can be made of any of a wide range of materials including wood, metal, brick, vinyl, and composite ...
Marbleizing (also spelt marbleising[1]) or faux marbling is the preparation and finishing of a surface to imitate the appearance of polished marble. It is typically used in buildings where the cost or weight of genuine marble would be prohibitive. Faux marbling is a special case of faux painting used to create the distinctive and varied ...
In interior design, a wash or color wash of paint on a wall can be used to create a textured effect as a faux finish. [2] In ceramics, a wash is typically a coloring oxide thinned with water applied to the piece to achieve an effect similar to a glaze. [3] Digital image creation software can have features that simulate the painting technique. [4]
Siding (construction) Siding or wall cladding is the protective material attached to the exterior side of a wall of a house or other building. Along with the roof, it forms the first line of defense against the elements, most importantly sun, rain/snow, heat and cold, thus creating a stable, more comfortable environment on the interior side.
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Large-scale wall-paintings were much less regarded, crudely executed, and rarely mentioned in contemporary sources. They were probably seen as an inferior substitute for mosaic , which for the period must be considered a fine art, though in recent centuries mosaics have tended to be considered decorative.