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The Lingnan School (traditional Chinese: 嶺南畫派; simplified Chinese: 岭南画派; pinyin: Lǐngnán huà pài) was an art movement active in the late Qing dynasty and Republic of China that sought to modernize Chinese painting through borrowing from other artistic traditions.
Georgette Chen, Sweet Rambutans, 1965, Oil on canvas. The Nanyang style of painting, also known as Nanyang art or the Nanyang school, was a modern art movement and painting tradition initially practised by migrant Chinese painters in Singapore from the late-1940s to 1960s.
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The members of the Fifth Moon Group studied western art movements, and concluded that the abstract art form was the best medium for modern Chinese art. They felt the best the Chinese paintings were ones that de-emphasized realistic representation, and emphasized atmosphere and "vividness", which comes from the brush strokes and the natural ...
Through the bookstore, they sold reproductions of Chinese and Western paintings, [14] including their own works. [13] As the decade continued, Gao devoted himself exclusively to painting and teaching. He moved to Guangzhou in 1918 to lead the Art and Printmaking Department at the Class A Industrial School. [19]
Cynical realism (simplified Chinese: 玩世现实主义; traditional Chinese: 玩世現實主義; pinyin: wánshì xiànshí zhǔyì) is a contemporary movement in Chinese art, especially in the form of painting, that began in the 1990s. Beginning in Beijing, it has become one of the most popular Chinese contemporary art movements in mainland ...