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Among the best-known of the Arab traditional dances are the belly dance, the ardah, and the dabke. [8] Traditional dancing is still popular among expatriate Arabs and has also been successfully exported to international folk dance groups all over the world. All dancers wear the traditional costume to embody the history of their culture and tell ...
Ardah (Arabic: العرضة / ALA-LC: al-‘arḍah) is a type of folkloric group dance in the Arabian Peninsula, in most countries located in the Gulf Cooperation Council. The dance is performed with two rows of men opposite of one another, each of whom may or may not be wielding a sword or cane, and is accompanied by drums and spoken poetry. [1]
The traditional dances of the Middle East (Arabic: رقص شرق أوسطي) (also known as Oriental dance) span a large variety of folk traditions throughout North Africa, the Middle East, and Central Asia. For detailed information on specific dances of the region, see the main entries as follows:
The informal, social form of the dance is known as Raqs Baladi ('Dance of the Country' or 'Folk Dance') in Egyptian Arabic and is considered an indigenous dance. [citation needed] Belly dancer Randa Kamel performing in Cairo, 2007. Belly dance is primarily a torso-driven dance, with an emphasis on articulations of the hips. [16]
[10] [11] The term "Arabic dance" is often associated with the belly dance. However, there are many styles of traditional Arab dance, [12] and many of them have a long history. [13] These may be folk dances, or dances that were once performed as rituals or as entertainment spectacle, and some may have been performed in the imperial court. [14]
Khaleegy' or Khaliji (from Arabic خليج) is a mixture of modern style and traditional folkloric dance from the Persian Gulf countries of Iraq, Saudi Arabia, Kuwait, Oman, Bahrain, Qatar and the United Arab Emirates. The name of the dance literally means "gulf" in Arabic and it is performed by women at weddings and other social events. Over ...
The yowlah. The yowlah involves dance, drum music, and chanted poetry; its routine is meant to simulate a battle scene. Two rows of about twenty men face each other, carrying thin sticks of bamboo to signify spears or swords.
The Arabic غوازي ghawāzī (singular غازية ghāziya) means "conqueror", as the ghaziya is said to "conquer" the hearts of her audience. They were also known as awālim (singular alma, transliterated almeh in French as almée), but in Egypt, Awalim are the traditional Egyptian dancers and singers of the city, not rural areas, who used to perform in respectable events such as the ...