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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Song Artist(s) Ref. January 1 "Daydreams" Randy Scott featuring Cindy Bradley [1] January 8 "Urban Troubadour" Phil Denny [2] January 15 [3] January 22 "Crazy" Gerald Albright [4] January 29 [5] February 5 "The Closer We Get" Dave Koz [6] February 12 "Nothing Better" Jacob Webb featuring Jazmin Ghent [7] February 19 "Any Moment" Le Sonic ...
"Summer Song" Paula Atherton featuring Nathan Mitchell [34] August 28 [35] September 4 "Release" Lin Rountree [36] September 11 "Living Out Loud" Steve Cole [37] September 18 "Midnight Sun" Darren Rahn [38] September 25 "Non Stop" Andy Snitzer [39] October 2 "Right Around the Corner" Nick Colionne [40] October 9 "On the Move" Vincent Ingala [41 ...
Dizzy Gillespie and His Orchestra - jazz, bebop, Afro-Cuban jazz; Globe Unity Orchestra – free jazz; Benny Goodman and His Orchestra - jazz, swing; Gordon Goodwin's Big Phat Band - jazz, swing music rhythm and blues; George Gruntz Concert Jazz Band; GRP All-Star Big Band; Georgia Big Band - Swing, Jazz, Big Band
For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
The blues scale is often used in popular songs like Harold Arlen's "Blues in the Night", blues ballads like "Since I Fell for You" and "Please Send Me Someone to Love", and even in orchestral works such as George Gershwin's "Rhapsody in Blue" and "Concerto in F". Gershwin's second "Prelude" for solo piano is an interesting example of a ...
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
At a minimum, jazz blues usually include a ii–V progression in place of the simple V chord and a I–VI/vi–ii–V turnaround at the end of the form. Jazz-funk: Jazz-funk is a subgenre of jazz music characterized by a strong back beat (groove), electrified sounds, and an early prevalence of analog synthesizers. 1970s -> Jazz fusion