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Synecdoche is a rhetorical trope and a kind of metonymy—a figure of speech using a term to denote one thing to refer to a related thing. [9] [10]Synecdoche (and thus metonymy) is distinct from metaphor, [11] although in the past, it was considered a sub-species of metaphor, intending metaphor as a type of conceptual substitution (as Quintilian does in Institutio oratoria Book VIII).
Synecdoche uses a part to refer to the whole, or the whole to refer to the part. [10] [11] [12] Metalepsis uses a familiar word or a phrase in a new context. [13] For example, "lead foot" may describe a fast driver; lead is proverbially heavy, and a foot exerting more pressure on the accelerator causes a vehicle to go faster (in this context ...
1 Etymology. 2 Synecdoche. 3 People with the name. ... to the extent that it is a synecdoche for Irish-speaking man. The name signifies "poet" or "philosopher".
The following is a list of common metonyms. [n 1] A metonym is a figure of speech used in rhetoric in which a thing or concept is not called by its own name, but by the name of something intimately associated with that thing or concept.
According to Freud's work (1900), condensation and displacement (from German Verdichtung and Verschiebung) are two closely linked concepts. [10] In the unconscious, through the dynamic movement of cathexis (charge of libido, mental or emotional energy), it is possible that an idea (image, memory, or thought) passes on its whole charge to another idea; Freud called this process "displacement."
The Oxford Dictionary of Literary Terms offers a much broader definition for zeugma by defining it as any case of parallelism and ellipsis working together so that a single word governs two or more parts of a sentence.
Pars pro toto (Latin for 'a part (taken) for the whole'; / ˌ p ɑːr z p r oʊ ˈ t oʊ t oʊ /; [1] Latin: [ˈpars proː ˈtoːtoː]), [2] is a figure of speech where the name of a portion of an object, place, or concept is used or taken to represent its entirety.
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