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The C ♯ minor sonata, particularly the third movement, is held to have been the inspiration for Frédéric Chopin's Fantaisie-Impromptu, and the Fantaisie-Impromptu to have been in fact a tribute to Beethoven. [32] It manifests the key relationships of the sonata's three movements, chord structures, and even shares some passages.
Two measures after the melody sets in, an abrupt run features the same notes, only one octave higher, like the cadenza in the sonata's third movement (Presto agitato). The climax on a 6 4 chord is similar in both pieces. [2] Additionally, the Fantaisie-Impromptu ' s middle part and the second movement of the Moonlight Sonata are in D ♭ major.
The first movement of both sonatas are slow and lacking in full sonata form. The second movements are scherzos. The sonatas differ in structure in the third movement and only the first sonata has a fourth movement. In the first sonata, thematic material is referenced from one movement to the other which is also uncommon in a typical sonata of ...
Piano Sonata by Béla Bartók, in the third movement. [52] Piano Sonata no. 2 by Roger Sessions, at measure 178. [53] Piano Sonata No. 3 by Carlos Chávez, in six bars of the first movement. [54] The first version of Piano Sonata No. 5 by Sergei Prokofiev, for one measure in the third movement. [55] Pli selon pli by Pierre Boulez, in all ...
The third movement is also in sonata form and is back in the home key of D minor. It is at first flowing with emotion and then reaching a climax, before moving into an extended development section which mainly focuses on the opening figure of the movement, reaching a climax at measures 169–173.
The Sonata in the Classic Era, third edition. A History of the Sonata Idea 2. New York: W. W. Norton. ISBN 0-393-95286-X. Newman, William S. 1983c. The Sonata since Beethoven, third edition. A History of the Sonata Idea 3. New York: W. W. Norton. ISBN 0-393-95290-8. Newman, William S. 1988. Beethoven on Beethoven: Playing His Piano Music His ...
The third movement is a dance (a scherzo or minuet) in the tonic, in overall ABA ternary form, with a trio in either ternary or binary form, and in a conventionally related key (relative major, subdominant, and parallel minor respectively). They are based on their sonata's first movements, with a similar tonal scheme and/or motivic reference.
The structure of the sonata is unconventional in that the piece opens with a relatively slow movement in the format of theme and variations (Mozart did the same in his Piano Sonata No. 11). The third movement incorporates a funeral march, clearly anticipating the watershed of the Eroica Symphony that Beethoven wrote in 1803–1804. This is the ...