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Concerto for harpsichord or fortepiano in si bemolle maggiore; Concerto for Oboe and String Orchestra (arrangement by Arthur Benjamin based on music from the keyboard sonatas) Concerto per 2 flauti e orchestra in sol maggiore (1793) Sestetto in G major for fortepiano, fagotto, 2 violini, viola e violoncello
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Oboe Concerto No. 1 (Handel) Oboe Concerto No. 2 (Handel) Oboe Concerto No. 3 ...
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
Engraving of Cimarosa by Luigi Rados. Domenico Cimarosa (Italian: [doˈmeːniko tʃimaˈrɔːza] ⓘ; 17 December 1749 – 11 January 1801) [1] was an Italian composer of the Neapolitan School and of the Classical period. He wrote more than eighty operas, the best known of which is Il matrimonio segreto (1792); most of his operas are comedies ...
Arthur Benjamin . Arthur Leslie Benjamin (18 September 1893 in Sydney – 10 April 1960 in London) was an Australian composer, pianist, conductor and teacher.He is best known as the composer of Jamaican Rumba (1938) and of the Storm Clouds Cantata, featured in both versions of the Alfred Hitchcock film The Man who Knew Too Much, in 1934 and 1956.
[3] Gramophone referred to the concerto as one that "extends the past rather than smooths the passage to the twentieth-century revival of the form," contrasting it with Domenico Cimarosa's constructed oboe concerto by Arthur Benjamin as an example of a 20th-century 'revival' of a work that was not originally made. [6]
Igor Stravinsky: Concertino for string quartet (1920), also arrs. for piano four-hands, and for flute, oboe, cor anglais, clarinet, 2 bassons, 2 trumpets, 2 trombones, violin, and cello [citation needed]