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Concerto for harpsichord or fortepiano in si bemolle maggiore; Concerto for Oboe and String Orchestra (arrangement by Arthur Benjamin based on music from the keyboard sonatas) Concerto per 2 flauti e orchestra in sol maggiore (1793) Sestetto in G major for fortepiano, fagotto, 2 violini, viola e violoncello
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
Engraving of Cimarosa by Luigi Rados. Domenico Cimarosa (Italian: [doˈmeːniko tʃimaˈrɔːza] ⓘ; 17 December 1749 – 11 January 1801) [1] was an Italian composer of the Neapolitan School and of the Classical period. He wrote more than eighty operas, the best known of which is Il matrimonio segreto (1792); most of his operas are comedies ...
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
Doppio Concerto for oboe, harp & strings (1966) Paul Hindemith. Konzertmusik for brass, harp, and piano, Op. 49 (1930) Concerto for woodwinds, harp, and orchestra (1949) Anna Jalkéus. Concerto for jazz voice, harp and orchestra "The Rise of Estrogenia" (2017) [49] Lowell Liebermann. Concerto for Flute, Harp and Orchestra, Op.48 (1995) Frank Martin
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[3] Gramophone referred to the concerto as one that "extends the past rather than smooths the passage to the twentieth-century revival of the form," contrasting it with Domenico Cimarosa's constructed oboe concerto by Arthur Benjamin as an example of a 20th-century 'revival' of a work that was not originally made. [6]
Nonet (1930) for flute, oboe, clarinet, harp, 2 violins, viola, cello and bass; Octet (1934) for horn, piano and string sextet; Threnody and Scherzo, octet in two movements (1936) for Bassoon, 2 Vlns, 2 Vlas, Cello, Contrabass & Harp; Concerto for Flute, Oboe, Harp and String Quartet (1936) - transcription of Sonata for Flute and Harp (1928)