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From the ancient and imperial period of China until early the 19th century, women's body images in Chinese art were predominantly portrayed through male artists' lenses. As a result, female bodies were often misrepresented. With the arrival of modernism in Chinese contemporary art, women now have more influences in the field of visual arts ...
Female Chinese beauty standards have become a well-known feature of Chinese culture. A 2018 survey conducted by the Great British Academy of Aesthetic Medicine concluded that Chinese beauty culture prioritizes an oval face shape, pointed, narrow chin, plump lips, well defined Cupid's bows , and obtuse jaw angle. [ 1 ]
According to research from China, since the 2010s, tan skin has emerged as the new beauty ideal for women in China, and Chinese women themselves believe their tan skin is more attractive and healthier than pale skin. [99] Similar findings from Japan have found that the ideal female skin colour is tan, with no spots or roughness. There is a ...
Tang Jiali explained that compared to the dynamic, body language-focused, and tension-oriented style of her first collection by male photographer Zhang Xulong, "Tang Jiali Art Nude Photography" by female photographer Shi Song better portrayed her tender, feminine, and life style, without hesitation in using bolder poses in this collection, due ...
At this time, the introduction of nude models into the teaching of human body painting in Chinese art academies was less than ten years old, and the public was still controversial about human body painting. Models at the Central Academy of Fine Arts suspended classes to protest the school's breach of its promise to keep them confidential. [3]
Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208.
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Yu Hong (Chinese: 喻红; born 1966) is a Chinese contemporary artist. Her works characteristically portray the female perspectives in all stages of life and the relationship between the individual and the rapid social changes taking place in China. She works primarily in oil paint but also in pastels, fabric dye on canvas, silk and resin.