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The Atlas of Middle-earth provides many detailed maps of the lands described in Tolkien's books. The maps are treated as if they are of real landscapes, drawn according to the rules of a real atlas. For each area the history of the land is taken into account, as well as geography on a larger scale; from there maps are drawn. [7]
Aman and Middle-earth were separated from each other by the Great Sea Belegaer, analogous to the Atlantic Ocean. The western continent, Aman, was the home of the Valar, and the Elves called the Eldar. [T 1] [1] Initially, the western part of Middle-earth was the subcontinent Beleriand; it was engulfed by the ocean at the end of the First Age. [1]
J. R. R. Tolkien's design for his son Christopher's contour map on graph paper with handwritten annotations, of parts of Gondor and Mordor and the route taken by the Hobbits with the One Ring, and dates along that route, for an enlarged map in The Return of the King [5] Detail of finished contour map by Christopher Tolkien, drawn from his father's graph paper design.
"A Map of Middle-earth" is either of two colour posters by different artists, Barbara Remington and Pauline Baynes. Adapted from Tolkien's maps, they depict the north-western region of the fictional continent of Middle-earth. They were published in 1965 and 1970 by the American and British publishers of J. R. R. Tolkien's book The Lord of the ...
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Middle-earth is the setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the Miðgarðr of Norse mythology and Middangeard in Old English works, including Beowulf. Middle-earth is the oecumene (i.e. the human-inhabited world, or the central continent of Earth) in Tolkien's imagined mythological past.
The book presents human history as a conflict between what Augustine calls the Earthly City (often colloquially referred to as the City of Man, and mentioned once on page 644, chapter 1 of book 15) and the City of God, a conflict that is destined to end in victory for the latter. The City of God is marked by people who forgo earthly pleasure to ...
J. R. R. Tolkien accompanied his Middle-earth fantasy writings with a wide variety of non-narrative materials, including paintings and drawings, calligraphy, and maps.In his lifetime, some of his artworks were included in his novels The Hobbit and The Lord of the Rings; others were used on the covers of different editions of these books, and later on the cover of The Silmarillion.