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Park Seo-Bo working on an Ecriture piece at his Hapjeong-dong studio, 1977. Dansaekhwa (Korean: 단색화, also known as Tansaekhwa), often translated as "monochrome painting" from Korean, is a retroactive term grouping together disparate artworks that were exhibited in South Korea beginning in the mid 1970s.
Chung Sanghwa (Korean: 정상화; Hanja: 鄭相和; born 1932) is a South Korean minimalist and Dansaekhwa artist. [ 1 ] [ 2 ] [ 3 ] After receiving his BFA from the College of Fine Arts in Seoul National University in 1956, Chung developed his unique grid-like painting style in Japan and France in the late 1970s and early 1980s. [ 4 ]
The 1998 Tony award winning Broadway play 'Art' employed a white monochrome painting as a prop to generate an argument about aesthetics which made up the bulk of the play. The 1995 Cesar award winning movie The Three Brothers featured a white monochrome painting by fictitious artist Whiteman (inspired by K. Malevich White on White masterpiece).
In 1961 the artist married art historian Lucy Lippard. They had a son together, Ethan Ryman, in 1964, who was first a sound engineer and now an artist. The marriage ended in divorce. In 1969 he married artist Merrill Wagner. [3] Robert Ryman's sons from his second marriage, Cordy Ryman and Will Ryman, are also artists and currently work in New ...
He moved to New York in 1974 and attended Hunter College in New York for their graduate studio art program. [ 2 ] [ 4 ] There, Tansey continued his examination of the historic art introduced to him by his parents, as well as modern painting and sculpture techniques and artists.
Ha Chong Hyun (Korean: 하종현; born 1935) or Ha Chong-hyun is a South Korean artist. Today, through his Conjunction series (1974–present), Ha is best known as a leading practitioner of the Korean monochrome art trend known as Dansaekhwa.
His main use of black and white is a neutral color that can embrace the essence of different colors and is the most ideal color for achieving the planarity that the artist seeks.” [7] [8] Plane Conditions 99–102 , 182×228 cm Acrylic on canvas, 1999.
Steven Parrino (1958–2005) was an American artist and musician associated with energetic punk nihilism.He is best known for creating big modernist monochrome paintings (his colors were limited to monochrome black (or black-and-white), orange, red, blue, and silver) that he violently slashed, torn or twisted off their stretchers.