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10 is a 1979 American romantic comedy film written, produced and directed by Blake Edwards and starring Dudley Moore, Julie Andrews, Robert Webber, and Bo Derek.It was considered a trendsetting film at the time of its release and became one of the year's biggest box-office hits.
Dudley Stuart John Moore CBE (19 April 1935 – 27 March 2002) was an English actor, comedian, musician and composer. He first came to prominence in the UK as a leading figure in the British satire boom of the 1960s.
In 1979, Derek was selected over Melanie Griffith, Heather Thomas, Tanya Roberts, and several others for the role of Jenny Hanley in the romantic comedy film 10. [24] Directed by Blake Edwards, the film starred Dudley Moore as a middle-aged man who finds Derek's character to be the ideal woman, i.e., a perfect 10. Derek's appearance in a dream ...
The title track, Moore's best known song, was performed within the movie by the fictional psychedelic rock band Drimble Wedge and the Vegetation, featuring Cook's character as the vocalist. The piece has since been covered widely, including performances by Tony Hatch and Nick Cave. Moore recorded several instrumental versions. [5]
Arthur is a 1981 American romantic comedy film written and directed by Steve Gordon.It stars Dudley Moore as Arthur Bach, a drunken New York City millionaire who is on the brink of an arranged marriage to a wealthy heiress but ends up falling for a common working-class young woman from Queens.
10 Unfaithfully Yours: 20th Century Fox: Howard Zieff (director); Valerie Curtin, Barry Levinson, Robert Klane (screenplay); Dudley Moore, Nastassja Kinski, Armand Assante, Cassie Yates, Richard Libertini, Albert Brooks, Richard B. Shull, Jan Triska, Leonard Mann, Betty Shabazz, Jane Hallaren, Bernard Behrens, 17 Blame It on Rio: 20th Century Fox
Arthur 2: On the Rocks is a 1988 American romantic comedy film and the sequel to the 1981 film Arthur. Dudley Moore, Liza Minnelli, John Gielgud, Geraldine Fitzgerald, Stephen Elliott, Thomas Barbour, Ted Ross and Barney Martin reprise their roles with Cynthia Sikes replacing Jill Eikenberry, who was committed to filming L.A. Law at the time, in the role of Susan Johnson.
Conversely, Caryn James of The New York Times wrote that "Dudley Moore and Kirk Cameron are so clever and charming as the mismatched pair that they turn a potential dud into a sweetly engaging film", though she added that "it never fulfills its potential for being a shrewd satire of cross-generational manners". [5]