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Pieter Bruegel the Elder, Landscape with the Flight into Egypt, 1563, 37.1 × 55.6 cm (14.6 × 21.9 in). The world landscape, a translation of the German Weltlandschaft, is a type of composition in Western painting showing an imaginary panoramic landscape seen from an elevated viewpoint that includes mountains and lowlands, water, and buildings.
Spring Fresco, Minoan painting from Akrotiri, 1600–1500 BCE Zhan Ziqian, Strolling About in Spring, a very early Chinese landscape, c. 600. The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included.
Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849). The series depicts Mount Fuji from different locations and in various seasons and weather conditions.
From St. Lucia to Morocco, find the locale that'll make your journey soar. Crabbing, surfing, bicycling, walking and bird-watching are favorite pastimes on the beaches of the Gower Peninsula, one ...
Following Hoskins, landscape history expanded in various directions. There are published landscape histories of a number of English counties. [2] Other authors have studied the landscape at earlier periods. [3] One productive avenue has been the study of specific landscape features such as fields, villages, and so on. [4]
Landscape science deals with the origin, structure, and dynamics of landscapes, the laws of the development and arrangement of landscapes, and the transformation of landscapes by the economic activity of man.", and asserts that it was founded in Russia in the early 20th century by L. S. Berg and others, and outside Russia by the German S ...
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The Cambridge World History. Volume 1: Introducing World History, to 10,000 BCE, edited by David Christian. The Cambridge World History is a seven volume history of the world in nine books published by Cambridge University Press in 2015. The editor in chief is Merry E. Wiesner-Hanks. The history takes a comparativist approach.