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Mozi, another philosopher of the Warring States era (pre-unification of China), discouraged the use of music and other forms of culture as being wasteful of resources needed to keep the state healthy and prosperous. Xunzi's chapter on music questions this stance, specifically naming Mozi.
Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". [1] The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics .
Confucius heavily promoted the use of music with rituals or the rites order. [51] Unlike other philosophers around the world, Confucius viewed music and music theory beyond a mere art form or curriculum subject, and stated that it was intrinsically intertwined with rites in structuring man.
Xunzi (lit. ' Master Xun '; c. 310 – c. after 238 BCE), born Xun Kuang, was a Chinese philosopher of Confucianism during the late Warring States period.After his predecessors Confucius and Mencius, Xunzi is often ranked as the third great Confucian philosopher of antiquity.
A historical record of the State of Lu, Confucius's native state, 722–481 BC attributed to Confucius. The Classic of Music is sometimes considered the sixth classic but was lost. Up to the Western Han, authors would typically list the Classics in the order Poems-Documents-Rituals-Changes-Spring and Autumn.
Musica universalis—which had existed as a metaphysical concept since the time of the Greeks—was often taught in quadrivium, [8] and this intriguing connection between music and astronomy stimulated the imagination of Johannes Kepler as he devoted much of his time after publishing the Mysterium Cosmographicum (Mystery of the Cosmos), looking over tables and trying to fit the data to what he ...
Ancient Greek philosopher Aristotle statue. Few have left such a great impact on history as Aristotle. As a philosopher, he has heavily impacted how humans think and navigate the world.
The Classic of Music (Chinese: 樂經) was a Confucian classic text lost by the time of the Han dynasty. It is sometimes referred to as the "Sixth Classic " (for example, by Sima Qian [ 1 ] ) and is thought to have been important in the traditional interpretations of the Classic of Poetry .